Friday, May 18, 2012

"The Skin I Live In" Review




The Skin I Live In (La piel que habito)
Starring: Antonio Banderas, Elena Anaya, Jan Cornet
Directed by Pedro Almodóvar
Recommendation: Definitely a must see for the sick at mind!
After I watched Spanish-language film The Skin I Live In, I was speechless. This film has drama, sex and violence sewn rhythmically together in a beautifully developed script. Director Pedro Almodóvar introduces his captive audience with visions of the stunning Vera Cruz (Elena Anaya) in different yoga poses. Her dark beauty is intoxicating, drawing the viewer to her as she draws plastic surgeon Robert Ledgard (Antonio Banderas). Yet, there is something intrinsically mysterious that we just can't place. Her strange habits of ripping cloth to cover plaster heads and her inexplicable captivity are somehow alluring. Her attempted suicide merely excites the interest already established.

At the beginning, the audience is confused, but not fatally. The non-linear storyline is brilliantly utilize to bring about a shocking factor in the story, explaining Dr. Ledgar's late wife and daughter as well as Vera's history. I refuse to use too much detail here, I couldn't spoil for you what was so eloquently illustrated for me. I will say that Almodóvar's perverse film is disturbing yet incredibly shot and developed with exquisite artistry that will leave you dumbfounded.

Everything from the acting to the cinematography to the setting is fantastic. I can't say much because I began the film knowing almost nothing except that it was supposed to be disturbing. Along with my strong recommendation, that's all I will give you.







"Puss in Boots" Review

I Find Kitties Funny...


... so I thought that I would love Puss in Boots. I'll be honest, the trailer induced cramping laughter among myself and those around me. It was the way Puss lapped up his whiskey-glass of milk and interrupted his distinguished stance in order to chase the little ray of light around the room. I couldn't find the right time to see it in theaters (and I'm also pretty broke) so I waited for trusty old RedBox. I was freaking psyched.

Puss in Boots
Starring: Antonio Banderas, Selma Hayek
Directed by Chris Miller
Recommendation: save it for the kiddies 
Now, I know this is a kids movie. It's a prequel to a sequel, so what exactly was I expecting? Just about the same amount of charm and wit that Antonio Bandares brought to both Shrek sequels and Spy Kids. It was Zorro but as a cat with boots on! That's adorable.

My expectations ran too high. The first 45 minutes of the film were filled with funny: including a dance off between two kitties with other kitties playing instruments. It was cute and we all liked it. But the film took a turn from silly to serious action that was almost shocking. The humor slowly sidled away and left me rather bewildered. What happened to my kitty comedy???

That sad, I'm sure kids are going to like this movie, because they like talking animals. The parents will get a few laughs, but since it's out on DVD now, I say let this film do the babysitting.

Take shelter from "Take Shelter"

Blind. 

My most latest RedBox failure was the recent thriller "Take Shelter," which chronicles Curtis, a construction worker and the father of a deaf girl, as he spirals into the depths of paranoid schizophrenia. Unfortunately, if it wasn't for the constant exposition reminding the viewer of his specific diagnosis, there would be no way of knowing that Curtis is anything more than a protective parent. The film opens with a sequence of horrific nightmares, which are titillating enough to make the viewer excited for the film's outcome. The episodes include a dog attack and a thrilling child abduction that left me on the brink of tears. The dreams generate Curtis's paranoia and he begins to act  strange. He locks up the cute family dog and wets the bed. Naturally, his wife grows concerned, but the viewer does not.

Take Shelter
Starring: Michael Shannon, Jessica Chastain and Shea Whigham
Directed by Jeff Nichols
Not Recommended
 There is a fatal distance between the film's humdrum protagonist and those watching him. First of all, Curtis is incredibly boring and without any personality, making it excruciatingly difficult to feel any concern for his hardships. Secondly, Curtis acts relatively normal. Sure, he has quirks, but who doesn't? My point is that the man is far too rational to be a schizophrenic, even in the early stages. Curtis is far too aware of what is happening to him, even diagnosing himself and visiting his cliché of a nutcase mother, who presides in a mental institution. Now, I only know the fun facts about abnormal psychology, but I'm pretty positive that schizophrenics don't know they are schizophrenics and they certainly cannot diagnos themselves as such. That implies a certain amount of insanity that isn't there. Even if I'm wrong on this assumption, watching him rationalize everything is painfully monotonous. This film would be much more successful if it was a subjective psychological portrait a character entering a demented state of mind, but the film evades any possibly mystery of the inner workings of Curtis's mind. Furthermore, he doesn't even begin his most deluded action, building a bomb shelter, until after the halfway point. Considering that this event is the movie's namesake, it happens far too late in the movie especially since nothing else is happening. Curtis just wallows his way through the scatter-brained storyline with a confused look on his face. He does have his moments, but they are so scarcely strewn about the movie that at the end of the day, we just don't care. The only thing extracting our sympathy is his pitifully cute deaf daughter.

In addition to the dull script that runs about an hour past it's expiration, some of the shots that director Jeff Nichols chose are unforgivable. For example, at one point the rearview mirror is utilized in order to capture the shock in Curtis's eyes after some mediocre happening. The problem is that his eyes are only dodging into the screen for 30% of the shot. I may be wrong on this, but I don't think there was a purpose to showing the viewer a shot of the stupid rearview mirror. Also, since all you needed to see were his eyes, this would take 5 minutes to reshoot. This is just one example of the plethora of flat and unappealing choices that destroyed any chance of saving this film. Fail.

The only good that I can say about Take Shelter are it's few moments of thrill which come with the nightmares. These are all well shot and intriguing, and are the only moments of subjectivity where the digression of Curtis's mind is illustrated. However, these only lead the audience into a deep disappointment after a boring journey that takes far too long to make it's obvious point. I do love a good film about crazy bastards destroying the comforts of domesticity with paranoia, but this shit sucks.

Wednesday, May 16, 2012

HEY GUYS!!!

WHAT'S UP?!

So, I am a college graduate as of five days ago and since I am unemployed, with the exception of a costume shop that refuses to schedule me, I decided to start blogging about my observations and reviews of movies and see if anyone actually cares what I have to say or how I say it. My guess is probably not, but I might as well put my little old self out there. It's good exercise for the aspiring writer, especially since I gave Twitter to my cat. 


Basically, I'm going to be reviewing movies. I was a film production major (lot of good that shit will do me, especially at Loyola University) and I looooooooove movies. I even made a couple ridiculous little shorts. Check 'em out:

German Drag Queens & the inexplicably less popular Funny New Wave Parody

Needless to say, I have an open mind... but not to bad movies. Anyway, in addition to reviews and rants about movies and TV, I will also be snapping the silly things I see in my eccentric little city of Chicago. 

I hope you enjoy and are slightly offended!

Sincerely,

Erika Kubick