Wednesday, June 13, 2012

Review of "Moonrise Kingdom"


Wes Anderson never seems to fail. Although each of his films have a similar quirky tone and recurrent cast similar to Tim Burton's films, Anderson's works never seem to reach the tacky status that Burton's have. Moonrise Kingdom, the most recent addition to the Anderson collection, is no exception. Despite a serving of sugar that borders on overdose, the film is artistically crafted and thoroughly pleasurable from beginning to end.

Moonrise Kingdom
Starring: Jared Gilman, Kara Hayward and Bruce Willis
Directed by Wes Anderson
My Opinion: Not the star of his filmography,
but definitely good.
The film follows the journey of two troubled twelve year olds who find salvation in each other. Sam is an orphan spending his summer in Troop #55 of the Khaki Scouts. Suzy is the rebellious daughter of well-to-do parents. Her passions include reading and looking through her magical binoculars. The two children become pen pals and decide to run off together. Their journey spawns a romance that reaches levels of maturity that are often absent in films about adult romance, at the same time accurately depicting what it's like to feel tingly with young love in the seventh grade.

As with all of Anderson's films, Moonrise Kingdom is masterfully crafted, complete with a quirky script, picturesque scenery and fluid acting. The most notable performance is Edward Norton as Scout Master Randy Ward. Norton successfully engages the pathetic nature of his character with an alluring and redeemable charm. However, the child acting stood out thin compared to the ensemble cast: awkward moments with way too much squinting and blinking were frequent throughout. Regardless, Kara Hayward and Jared Gilman do not fail to deliver bountiful chemistry. Their love for one another is both sweet and thought-provoking. In his portrayal, Anderson captures the mystery of young love while refraining from provoking an attraction that is disturbing, given the age of the lovers. Rather than concentrating on their minor status, the audience indulge in their honeymoon-like rendezvous and root for their romance as their bond is tested.

Although the love between Sam and Suzy is wonderfully illustrated, I found myself wanting a deeper statement on the complexities of attraction and relationships. The young lovers clash against another relationship that seems to be falling apart (to which a conclusion never seems to be reached), yet rather than exploring the human psyche under the threat of a lost marriage, the conflict becomes moderately cliché. Personally, I was mesmerized by Anderson's portrayal of the human condition in past films such as Life Aquatic and Rushmore. By contrast, Moonrise Kingdom leaves the audience cooing over the precious lovers, but without much insight. Though the film certainly stands on a solid foundation, the innards are fairly basic. Regardless, the film is thoroughly entertaining and charming as always.

Tuesday, June 12, 2012

Shorts I See

2013
Lewis Vaughn
A colorful experimental premonition.
A little too abstract. Apparently the future holds nothing but a weird acid trip.
Not Recommended

Eyelids
Brad Bischoff
An adorable love note from a boy to a girl.
Incredibly romantic and lovely from beginning to end.
Recommended

Mandrake
Andy Cahill
A woodland creature burrows away with his ceramic collection. Claymation.
Very eerie and yet some how adorable. Reminiscent of Tim Burton's first shorts.
Recommended

Spontaneous Generation
Andy Cahill
Grotesque creatures spawn from nothing. Claymation.
A little disgusting, but it's certainly on purpose. Gooey with a good nature and an appropriate sound track.
Recommended

Trepan Hole
Andy Cahill
Two creatures battle it out in a psychedelic landscape.
Moderately dizzying but the animation is impressive, yet again.
Recommended

Something Happened in There Once
Tommy Heffron
A mysterious psychological glance at memory, myth and dreams.
Successfully spooky short that seems to chronicle the deterioration of sanity with an impressive script.
Recommended

Birds Watching
L.E. Eastman
A day in Chicago through the eyes of pigeons.
Birds-eye view is an interesting topic, and the B.O.V. shots are accented with a fish eye lens. Unfortunately, the film falls short and fails to provide adequate insight into the bird's perception.
Not Recommended


Happy Man's Pants
Kunal Savkur
A gloomy king searches for happiness in the form of pants.
Well acted with quality production. The style and tone is over the top and reminiscent of Bollywood. Funny and appropriate for the whole family, though the title is slightly misleading in that sense.
Recommended

Monday, June 11, 2012

Shorts I See

"Good Taste"
Greth Productions
An obsessive record collector is crazed by an accusation against a friend.
Hipsters gone mad - artistic and reminiscent of new wave cinema, but all together slightly kitschy.
Recommended

"Sink Hole"
Greth Productions
A man is unable to resist a temptation.
Very dark and twisted and extremely short. Hilarious.
Recommended

"Wet Skin"
Lindsay Denninberg
A perverted retelling of Hans Christians Anderson's classic The Little Mermaid.
A beautifully metaphoric art piece that instructs us not to mess with nature.
Recommended

"Type"
Kyle Romaneck
A young professional desperately tries to reconnect with humanity by contacting a prostitute on Craigslist.
An interesting concept with poor execution and a weak script. The film quickly sidles into cliché.
Not Recommended


"Pages of Wings"
Min Jeong Cho
An experimental piece about chaos... and books... I think.
Wonderfully shot with surreal sound effects and gruesome elements. I don't know what happened, but I still enjoyed watching it.
Recommended

"Mermaid"
Kate Gragg
A film about isolation and human needs.
I really enjoyed the intense emotional drives clashing against naiveté. Psychologically rich,
Recommended


"Always Ride the Horse in the Direction It's Going"
Kevin Eskew
The Old West with a quirky additive.
Very cute, clever and short.
Recommended.

Review of "Seven Signs"


Director J.D. Wilkes brings us this engrossing documentary that tells the stories of inhabitants of the Christ-haunted South. Music and faith tie the film together into a cohesive string that examines the place of Southerners in the modern world.

Seven Signs
Directed by J.D. Wilkes
My Opinion: Impressively honest.
Recommended.
Wilkes's film holds onto a grim tone from beginning to end: each Southerner has a different story to share and all are undercut by a persistent darkness. The most impressive quality of Seven Signs is the authenticity. Wilkes approaches each subject as they are: human beings surviving in their environment. The intimacy of the subjects is shocking: Wilkes is able to access the depths of their humanity. There is absolutely no judgement in his portrayal and this resonates with the viewer. Instead of the horror that one feels during films like Jesus Camp, instead the viewer experiences a deepened understanding. This intimacy is the core of documentary filmmaking and Wilkes accomplishes this feat with ease.

The music in the film varies, but it is always beautiful, accenting the ghostly landscapes artfully and moving the film forward without lulls. The variety of Wilkes's subjects also prevent the film from dragging. A captivating outcast who opens his heart to the camera, a horror show host with a fascinating past and a sideshow operator, one of the last remaining in the country, are just a few of the diverse characters in the film.

The film is grotesque and haunting. Ghost stories are discussed appropriately, graveyards are frequented, yet this film is not about poltergeists or those who believe in them. Rather, it is an honorable tribute to Southern life and the culture that is so rarely appreciated in such an authentic manner.